Review: The Voice of Music: Conversations with Composers of Our Time
Identifieur interne : 000376 ( Main/Exploration ); précédent : 000375; suivant : 000377Review: The Voice of Music: Conversations with Composers of Our Time
Auteurs : Christopher MarkSource :
- Music and Letters [ 0027-4224 ] ; 2003-02.
English descriptors
- Teeft :
- Alexander goehr, Ambiguous relationship, Anders beyer, Andrew ford, Antony tudor, Artificial devices, Arvo part, Basic collage idea, Bedlam scene, Benchmark books, British composers, Camera operator, Candid remark, Carolyn concept, Case studies, Catherine opera, Charles wilson, Christopher mark, Classical ballet, Classical cinema, Collective effort, Composers need, Compositional life, Compositional techniques, Concise history, Considerable improvement, Considerable merit, Creative selfsufficiency, Dance analysis, Dance books, Danish music review, Dansk musik tidsskrift, Different circumstances, Different views, Direct access, Display belief, European composer, Faber composers, Faber faber, Familiar themes, Film studies, First half, First part, First secretary, Fledgling field, Format collage, Forthcoming cambridge history, Frederick ashton, Fresh perspectives, General audience, George balanchine, George benjamin, Goldsmiths college, Goldsmiths conference, Grand narrative, Grand narratives, Half pages, Heterogeneous developments, Historical investigation, Historical material, Hotchpotch assembly, Huge tangle, Imperial authority, Incongruous juxtaposition, Individual chapters, Interesting comments, International conference, Interpretive framework, Isbn history, James wood, Jean christensen, Jean introduction, Judith weir, Large number, Legitimate reaction, Linear narrative, Main issues, Main material, Main sections, Major dance, Major figures, Many times, Mating pandas, Message boards, Michael oliver, Modern dance, Monolithic interpretation, Moot point, More chords, Mosaic structure, Murray schafer, Music history, Musical compostion, Musical life, Narrative film music, Nicholas cook, Original publication, Other areas, Overall responsibility, Particular facet, Particular view, Paul griffiths, Philip glass, Postmodernist celebration, Postwar criticism, Press response, Previous generations, Print version, Public statements, Recent decades, Round table, Scandinavian specialists, Schama approach, Serious scholarship, Shadowy puppet master cobbles, Significant drawbacks, Significant extent, Significant legacies, Significant players, Singular point, Sketchy methodology, Sound bites, Specialist commentary, Stephanie jordan, Subjective experience, Such juxtapositions, Tentative interpretation, Textual detail, Tidy interpretational, Tikhon khrennikov, Today series, Twentieth century, Twentiethcentury, Twentiethcentury ballet, Twentiethcentury kind, Twentiethcentury music, Unmediated opposition, Unsung voice, Various issues, Whole enterprise, Wide time span, World views.
Url:
DOI: 10.1093/ml/84.1.125-a
Affiliations:
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developments</term><term>Historical investigation</term><term>Historical material</term><term>Hotchpotch assembly</term><term>Huge tangle</term><term>Imperial authority</term><term>Incongruous juxtaposition</term><term>Individual chapters</term><term>Interesting comments</term><term>International conference</term><term>Interpretive framework</term><term>Isbn history</term><term>James wood</term><term>Jean christensen</term><term>Jean introduction</term><term>Judith weir</term><term>Large number</term><term>Legitimate reaction</term><term>Linear narrative</term><term>Main issues</term><term>Main material</term><term>Main sections</term><term>Major dance</term><term>Major figures</term><term>Many times</term><term>Mating pandas</term><term>Message boards</term><term>Michael oliver</term><term>Modern dance</term><term>Monolithic interpretation</term><term>Moot point</term><term>More chords</term><term>Mosaic structure</term><term>Murray schafer</term><term>Music history</term><term>Musical compostion</term><term>Musical life</term><term>Narrative film music</term><term>Nicholas cook</term><term>Original publication</term><term>Other areas</term><term>Overall responsibility</term><term>Particular facet</term><term>Particular view</term><term>Paul griffiths</term><term>Philip glass</term><term>Postmodernist celebration</term><term>Postwar criticism</term><term>Press response</term><term>Previous generations</term><term>Print version</term><term>Public statements</term><term>Recent decades</term><term>Round table</term><term>Scandinavian specialists</term><term>Schama approach</term><term>Serious scholarship</term><term>Shadowy puppet master cobbles</term><term>Significant drawbacks</term><term>Significant extent</term><term>Significant legacies</term><term>Significant players</term><term>Singular point</term><term>Sketchy methodology</term><term>Sound bites</term><term>Specialist commentary</term><term>Stephanie jordan</term><term>Subjective experience</term><term>Such juxtapositions</term><term>Tentative interpretation</term><term>Textual detail</term><term>Tidy interpretational</term><term>Tikhon khrennikov</term><term>Today series</term><term>Twentieth century</term><term>Twentiethcentury</term><term>Twentiethcentury ballet</term><term>Twentiethcentury kind</term><term>Twentiethcentury music</term><term>Unmediated opposition</term><term>Unsung voice</term><term>Various issues</term><term>Whole enterprise</term><term>Wide time span</term><term>World views</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader></TEI><affiliations><list></list><tree><noCountry><name sortKey="Mark, Christopher" sort="Mark, Christopher" uniqKey="Mark C" first="Christopher" last="Mark">Christopher Mark</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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